About

What is UC Jazz?

UC Jazz Ensembles is an on-campus music performance program dedicated to the performance, study, and promotion of jazz at the University of California, Berkeley. UC Jazz consists of roughly ten to twelve small combos, as well as a 17-piece big band, open to undergraduate and graduate students of ANY major or field. Each combo rehearses for two hours a week, and musicians frequently get together to practice or jam in their free time. We perform a wide range of styles, from latin to contemporary.

We host and perform at a wealth of exciting on- or near-campus events each semester, including Thursday noon shows in the MLK Student Union Building, the “Jazz in the Loft” evening concert series, and the bi-annual showcases at the luxurious Freight & Salvage Coffeehouse in Downtown Berkeley and in Hertz Hall, UC Berkeley's largest concert hall. Members of UC Jazz also perform at various departmental events around campus. If you are interested in booking a UC Jazz Combo for your on or off campus event, Contact Us for more information.

UC Jazz is directed by drummer, percussionist, composer/arranger, and jazz educator Ted Moore, and ensembles are instructed by a faculty consisting of some of the best pro jazz musicians and jazz educators from around the Bay Area. UC Jazz also includes a team of student officers, who help to direct the organization and promote our events.

UC Jazz is a member of Student Musical Activities, alongside UC Choral Ensembles and the University of California Marching Band. While not a part of the Music Department, we frequently collaborate with the department, and music majors can receive academic credit for participating in a UC Jazz ensemble. Our rehearsal studios are located in the basement of the César Chávez Student Center, at the end of the long hallway. Auditions for UC Jazz are held at the beginning of every fall semester, but it is sometimes possible to arrange an audition at the beginning of the spring semester by contacting our director, Ted Moore.

For the most up to date information on upcoming UC Jazz events, be sure to follow our Instagram.

Instructors


  • Ted Moore

    UC Jazz Director - Percussion
    Advanced and Intermediate Combos

  • Frank Martin

    Piano
    Advanced Combo

  • Glenn Richman

    Bass
    Intermediate Combo

  • Marty Wehner

    Trombone
    Big Band

  • Dann Zinn

    Tenor Saxophone
    Advanced Combo

  • Kai Eckhardt

    Bass
    Bebop to Afropop Band

Faculty Activities

Kai Eckhardt SJZ Awardee 2025
January 2025

Afro-bop ensemble instructor, Kai Eckhardt, recently received a composition award form the San Jose Jazz Board of Directors. Listen to this solo bass piece with voice.

Dann Zinn and Rachel Z
June 2024

On June 21 and 22, 2024, UC Jazz faculty member, Dann Zinn, joined the Rachel Z band for 2 nights at Smalls in NYC.

River Wide
January 2024

In January of 2024, UC Jazz Director, Ted Moore, will return to Rochester, NY to perform as guest artist with the Rochester Philharmonic Orchestra. Ted's Brazilian jazz group, entitled Brasila, will perform original music from their release entitled, "River Wide" in a pops concert conducted by RPO pops conductor, Jeff Tyzik. The concerts will feature full symphonic arrangements of their music, most of which has been scored by Ted.

Petrus
November 2023

On Nov 3, 2023, Ted Moore's college trio, Petrus, released both studio and live recordings of their music from the 70's era. It has been remixed and contains all original material composed by members of the trio. It can be found on Spotify and other streaming services.

The Natural Order of Things
May 2020

Ted Moore, Director of UC Jazz, released his newest recording in May of 2020. The recording of the Ted Moore Trio features NY jazz icon Phil Markowitz on piano and world-renown bassist, Kai Eckhardt. It is comprised of all original compositions and arrangements by Ted Moore and is released on the Origin Records label. The recording is entitled, The Natural Order of Things." More info, along with sample tracks and downloads, is available at tedmoorejazz.com.

Shangri La
August 2016

Shangri La is Dann Zinn's newest release, featuring the great Peter Erskine on drums, and Australian phenom Chris Robinson on guitar. The cd received a four star DownBeat review, and was chosen among the 'best of' 2015 by Downbeat. The Trio toured on the east coast and NYC in 2016, and played at the 2015 Monterey Jazz Festival, where it was named among the top ten 'must see' acts for the festival. Available at cdbaby

Officers

  • Sam Malekzadeh

    Tenor Saxophone
    President

  • Risa Schapiro

    Piano
    Vice President

  • Liv Johnson

    Bass
    Equipment Manager

  • Sam Richman

    Alto Saxophone
    Equipment Manager

  • Jeremy Kemmerer

    Trumpet
    Webmaster

  • Aidan Bhatnagar

    Drums
    Webmaster

  • Leon Akhavan

    Baritone Saxophone
    Public Relations

  • Ethan Emami

    Bass
    Public Relations

  • Evan Odell

    Alto Saxophone
    Gig Chair
    Beginning Combo Instructor

  • Peter Le

    Tenor Saxophone
    Music Programming
    Beginning Combo Instructor

  • Chris He

    Alto Saxophone
    Beginning Combo Instructor

  • Ryan Campbell

    Bass
    Beginning Combo Instructor

  • Ryan Ancheta

    Trumpet
    Beginning Combo Instructor

A Brief History of UC Jazz

In 1966, trumpet player and astronomy grad student Les Golden placed an advertisement in the campus paper calling for student musicians interested in big band jazz and got a lopsided response: 10 of 20 musicians who answered the ad were guitarists. So much for a big band. The following year, Bob Docken, a history major, concert band trombonist, and one of the original respondents to the ad, collaborated with Rick Penner from Thousand Oaks to form the Cal Stage Band. He placed another advertisement in the fall of 1967, and the group began rehearsals in the band room with the permission of Cal Band director Dr. James Berdahl. If Golden provided the impetus for the Jazz Ensembles, Docken was its founder. The first concert took place in the spring of 1968, and Golden wrote an article about it for the Daily Cal.

The organization flourished under the guidance of Dr. David W. Tucker, the arranger and assistant director of the University of California Marching Band. Although Dr. Tucker found few evening hours to direct the struggling stage band, his rare synthesis of the diplomatic and understanding administrator, the talented and perceptive musical director, and the accomplished jazz arranger and musician, provided an ideal environment for the ambitions, enthusiasm and talent of the student musicians.

UC Jazz Ensembles became an official student organization in 1971 with Dr. Tucker as its first director. The program grew and Susan Muscarella was appointed to the position of Associate Director in 1974. The Ensembles began performing on campus and for the community.

Two major events signified the band’s coming of age before the first international tour. In 1972, the big band went to the first jazz festival in Reno. In 1974, after the ensembles began hosting the Pacific Coast Collegiate Jazz Festival, the big band won 3rd place, placing them among the elite bands that included the studio-ringer bands of the Los Angeles area.

Finally, with the summer of 1979 came the first of three major tours. The top big band enjoyed a four-week tour of Europe, playing several major jazz festivals in Finland, Sweden, Norway, Denmark and Poland. In the summer of 1981 the big band went to the Far East, touring Tokyo, Kyoto, Nara and Osaka. In 1984 UC Jazz Ensembles was invited to tour again in Japan and forged a name for itself in countries around the world.

In 1984 Dr. Tucker took a sabbatical, announcing his retirement in 1985, and Susan became the Director, appointing saxaphonist Dave LeFebvre Associate Director. From 1985-1989 Susan and Dave focused on recruitment of underrepresented students and designed a curriculum attractive to a more diverse student population. Women played a greater role in both musical and administrative directions of the program. Big bands and combo programs flourished, winning awards at prestigious festivals throughout the state.

Under Dr. Tucker the University of California Jazz Ensembles created a haven where students and community musicians grew musically, and shared their talents with the campus and Berkeley community. Under the guidance of Bevan Manson, who was the Director of UC Jazz from 1998 to 2003, the department grew to include seven part-time instructors. This remains the structure of UC Jazz today, where each instructor coaches one of the combos or big band, and conducts master classes, thereby expanding the depth of jazz instruction available to the UC Jazz students. UC Jazz is currently directed by well-known drummer Ted Moore.


Student Testimonials

The importance of UC Jazz on the UC Berkeley campus is vital. I would have never chosen to attend UC Berkeley if UC Jazz did not exist. Our organization exists as the only jazz outlet on campus for students like me who necessitate a jazz community in conjunction with their studies.
But through all the challenges college has had to offer, I have found a home and a family with UC Jazz. Oftentimes I would arrive to a rehearsal stressed and stretched to my limit after a grueling day of classes, but as soon as I'd hear the rhythm section going and put my trumpet to my lips, I'd be rejuvenated.
UC Jazz was the one place where I had found a community at Cal that I felt I completely fit in. And so, ironically because I was going to transfer to a music school, it was UC Jazz that convinced me to stay at Berkeley. I stayed at Cal because of UC Jazz, and thanks to the friends, experiences, and music here, I have never regretted the decision a single bit.
What many people don't realize about UC Jazz is our unique ability to bring students together. Music-making is a powerful tool to unite people, and our musicians become good friends in very short order. It's wonderful to have a place to come and make music with your friends. Before long, UC Jazz starts to feel like home.
In my last two years at UC Berkeley, UC Jazz has been an invaluable counterpart to my academic work, both socially and intellectually. When I leave Cal, I will retain memories of these moments among mentors and friends as some of the most challenging and rewarding I have encountered.
UC Jazz is virtually my only option for playing the music I love on campus. All the equipment I need is available to me. I am able to practice my skill and learn from other professionals. I perform in concert on a regular basis and I have made so many close friends who share my passion for jazz.